For those of you unfamiliar with the book’s content, this is poised to be the go-to reference book for anyone looking to push double-knitting to its limits in his or her own designs. At nearly 200 full-color pages, with over 170 technique illustrations, this book will take you from basic double-knitting through some of the most unusual things that can be done with the technique, with 14 patterns to give you practice in the new techniques. It is my hope that people will take these techniques and use them to begin designing their own “extreme” double-knitting patterns.
If you’re like me, you’ve been eagerly awaiting the day you get your hands on a copy of my book. If you play your cards right, however, you might even be able to get your hands on one before I do! For a limited time, Cooperative Press will be taking pre-orders for the Print + PDF pack at $23.95 plus shipping. Once the books begin shipping, the price will go up to $29.95. So order now, get your book before all your friends, and save some money to boot! This offer is available only to direct customers. Retailers should be in touch with Shannon at Cooperative Press for wholesale pricing.
As soon as I have a print date, I’ll post it up here. For now, however, just rest assured that it’s coming soon.
Everything else I'm working on just seems so ... scratchy, somehow
Today I finished the samples for the hat I’m doing for Artyarns‘ One And One Hats book. I still have to get the pattern done, but most of that is already done too, it’s just a matter of compiling already-written stuff. I’ve had uniformly great feedback from folks at my various knitting groups, both on the yarn and the pattern.
There are two sizes here — the smaller size for an 18-21″ head (so it’d be suitable for older kids up to some adults — and really, are you going to be giving a young kid a hat in cashmere and silk?), and the larger size for a 21-24″ head. The great thing about this particular pattern is that the smaller size is 6 repeats of the pattern worked for 6″ before the decreases, and the larger size is 7 repeats worked for 7″ before the decreases. Neat, eh?
Also, I weighed the remaining yarn after each hat, and there is enough in a pair of 100g skeins to do either hat twice!
See the opposite sides here. The darker sides don’t show the light background as well, but I think under natural light we’ll see a difference.
Hello! If you’re new here after having seen my article in Interweave Knits, it’s good to see you!. Please feel free to leave a comment to this post — I’m curious to see how many people are coming in after reading IK. I didn’t realize it was out already until I started hearing kudos from subscribers.
I’ve also been getting a number of questions asking after patterns pictured in the article. Since it’s evidently not clear, let me just reiterate: All the patterns you’ve seen in the article and most of the ones you can see on this blog (except those for which I expressly say otherwise) will be published in the book. If you want to be among the first to know when the book is ready for pre-order (and when it’s shipping), you can join my mailing list in the upper right corner of this blog.
I promised I’d show this when it was far enough along to get photographed, so here it is, in progress. This pattern will be called Shuti, after the Egyptian hieroglyph depicting a two-feathered headdress. Yeah, it doesn’t look like said hieroglyph, but given that it’s a two-sided feather-and-fan hat, it’s appropriate.
This is done in Artyarns Ensemble, as mentioned in my last post, and is slated for submission to a book they’re working on. The deadline is Sept 1, and I’m sure I’ll have the knitting done well before then. The pattern will be a change for me — entirely in text, not charted, because it’s just a lace pattern. OK, it’s just a lace pattern adapted to double-knitting.
Here’s a neat thing about double-knitting lace. I can make both sides the same color but the nature of the yarn-overs means that the two sides are locked together at the yarn-overs — not at the color-changes, as with normal double-knitting. Sure, I can make the yarn-overs not lock the sides together, but then why would you double-knit it?
More on this pattern later. In the meantime, I’ve been blogged about by Audrey of Audknits.com, who I met at TNNA! I promise not to post every time I get blogged about, but I’m excited!
It’s been a few weeks since TNNA, and the book is still in progress. On target? I’m not sure. In any case, it’ll be out before the big October events. While I’m waiting for word from my publisher, I’m also working on some new patterns.
I mentioned earlier that I had approached Artyarns with interest in submitting a pattern for one of their upcoming one-skein pattern books, this one specifically on hats. Iris was immediately enthusiastic about a submission from me — I have had in mind a concept for a double-knit lace hat, and since Artyarns is often associated with gorgeous lace patterns (but Iris clearly aspires to have more reversible patterns in her yarns), I thought it would be ideal to try one of her yarns for this project.
I chose Ensemble — a luxurious silk-cashmere “blend” (really just a strand of each held together) because I wanted something without so much “aura” and I wasn’t sure I could get a full hat out of a skein of Ultramerino 4. The latter yarn will be great for more traditional double-knit patterns, but the Ensemble lends itself well to the sort of work I wanted to submit. While at TNNA, I selected a couple of skeins of each, deciding to try the Ensemble first and if it didn’t work out, try the Ultramerino afterward.
Yarn for artistic inspiration!
But that wasn’t the end of it! Iris emailed me about a week after TNNA and told me she’d sent me some other yarn to play with, and get inspired by. A little while later, I got this in the mail. The 4 horizontal ones are Ensemble, and the rest are Ultramerino 4.
Iris, I am so grateful that you’re so enthusiastic about my work, and thankful that you value my artistic integrity enough to give me free rein with so much lovely fiber — and I am so looking forward to incorporating more of your yarn into my future designs. The selection you sent me is gorgeous, and I’m already having so much fun with the ensemble of Ensemble I got at TNNA. It’s wonderful stuff, and unexpectedly extremely durable in addition to being softer than anything I’ve ever designed with before.
I don’t have a photo of the piece I’m working on yet — actually, I had to rip it out last night (next time: lifelines! but here’s an unexpected bonus — the yarn doesn’t “kink” after being ripped out!) but I’m really happy with the way it’s coming out and I’ll be posting it up here once I’ve gotten far enough to show off the pattern well.
OK, this has grated on me for some time now. Some internet domain troll (read: someone who buys up domains they think will be worth money someday and sells them for exorbitant prices) has their hands on the domain doubleknitting.com. The domain is parked, meaning that it’s not being used for any productive purpose, and is currently selling for $1349.00 You know, I’d be OK with it if someone had legitimately beaten me to that domain, and was using it for their own knitting-related business — but to have the domain just sit there unused is an insult.
I can’t justify the cost on my own — but maybe with some help I can put it to better use. For example, if everyone in the Ravelry double-knitting group threw in a dollar, I’d be just about there after Paypal takes its cut.
I understand that, as a donor, you get nothing out of this deal except the satisfaction of taking a domain out of the hands of an internet squatter and back into the community that rightfully owns it. I promise that, should I ever decide to abandon the domain, I will sell it only within the knitting community and at a reasonable price. Most domains go for about $10 or $15, depending on where you purchase them.
So if you want to help, donate any amount you see fit here. When the money gets to the amount needed, I will purchase that domain. If someone grabs the domain before me, or they raise the price much higher (it was at about $2000 last year, so I’m optimistic), or something else happens that stops me from being able to attain my goal, I will remove the donation link and I will redirect whatever money has come in to a knitting-related charity of my choice.
TNNA was fantastic. Truly an ego-booster, if nothing else. While I’ve grudgingly accepted my popularity as a designer and teacher in my local area, I’ve always subconsciously assumed that my work won’t hold up on the national and international stage.
Wrong, evidently.
A few musings from TNNA:
I found out that the easiest way to be approached by TNNA attendees was to be seen knitting either of my WIPs. Shop owners, exhibitors and other designers all gravitated toward them. Perhaps it was the novelty of a man knitting — even at TNNA, most of the men seem to be in the business end of things, not actively knitting — but I’d like to think it was primarily the merit of the pieces themselves.
While we were unable to take pre-orders for Extreme Double-Knitting at the event due to unresolved issues about price, we had an outpouring of interest from all corners and I am optimistic that we will have copies for sale by August — and probably digital versions even before then. Shannon is exploring all printing options at the moment.
As I traveled around and networked with people, I felt myself coming into my own as a designer, not just a technique guru. One person asked if I could design another double-knit tie for a kit; another asked if I could design something in DK or worsted weight yarn for their magazine; yet another wants me to release a pattern accompanied by a DVD with tutorials on the techniques; and Iris Schreier of ArtYarns lavished praise and yarn on me when I visited to express interest in submitting a hat for an upcoming publication.
When attending TNNA as a loner for the first time (yes, I was working a booth, but other than that I had few ways of attracting attention), it’s great to have a friend who’s well-connected pave the way for you by telling everyone she meets about your work. Even better when she works as a social-media specialist for a major publication. Thanks, Kimberly! Also, Cat Bordhi talked me up in one of her workshops, which got several folks to visit me as well.
I don’t want to bore you with an account of my entire TNNA experience, so I’ll just say that Jeni’s Ice Cream rocks (if you didn’t already know), and I look forward to visiting again next year. In the meantime, I’m going to be planning for an August book launch, Rhinebeck and Stitches, and working on workshops for the fall and spring. And of course, I’m going to keep working on new projects — both for my own purposes and as commissioned designs.
Without further ado, here’s the one I’ve been keeping under wraps. It got “outed” by a couple of people blogging about it (I have only one link though) so I figured it’s about time I posted it myself. It’s still a ways from completion, but I’m getting faster — the more I do, the more I can do it without looking at the pattern. I’m starting to be able to separate the faces in my head and error-check them without actually looking at the chart.
To all those who say I'm not playing with a full deck ...
The piece is a scarf called “Fifty-Two Pickup”. In fact, there are two Jokers as well, for a total of 54 playing cards, arranged in a 3×18 grid for about a 6.5-foot-long scarf. The idea is that each distinct card is able to be oriented face-up or face-down; in addition the suits can be oriented right-side-up or upside-down. I recommend that the first 9 repeats (sets of 3 cards) be worked with the suits right-side-up, and the last 9 repeats be worked with the suits upside-down, so that a scarf hanging around a person’s neck will show right-side-up suits (pips) on both ends. Because of this, each card is charted 4 times. Since each chart takes half a standard letter-sized page, there are 212 charts for 53 cards (the Joker is used twice), or a total of 106 chart pages. Add to that the instructions and schematics and the pattern currently stands at 114 pages.
You decide randomly where each card will go, and whether it landed face-up or face-down. There are rigorous ways to do this with dice, but I find the best and quickest way is to actually play 52-pickup — throw a deck of cards in the air and arrange the resulting mess in a grid. A friend’s mathematician father tells me that the chance of any two arrangements being the same is 4.15851e+87 to 1. Therefore, if “thrown” and not followed from my schematic, each scarf done from this pattern will, pending the development of the infinite improbability drive, be completely unique.
A few details: The scarf is done in Regia sock yarn at 7-8 sts/in on US3 needles. I don’t know how many balls of yarn yet, but considering I’m starting repeat 4 and the 3 balls I’m using now are maybe half done — so I’m guessing a total of 3 balls of each color or 9 total. Each card has a single suit “pip” in the middle because I don’t have the resolution to design entire cards and still make this a pattern that someone else might like to knit (i.e. more people are likely to knit a pattern that’s 7-8 sts/in than 12sts/in). Again, I don’t have the resolution (or color) to do full face cards, so I took each card’s emblem or weapon (as seen in a standard Bicycle deck) and charted it in the opposite color from the pip. In the photo you can see the Jack of Clubs has a sort of fat spear; the King of Spades has a sword, and the Queen of Diamonds has a flower. I had another font that looks more like the playing card font, but it doesn’t knit up well — the diagonal lines make it harder to read — so I charted 5×7 block font letters/numbers and they work well enough.
Once this sample is done, I’ll do a photo-shoot and the pattern will be released on Ravelry, probably for $12 or $15.
So … I’m heading to TNNA this Friday and coming back on Monday. I’m sure I’ll have a blast. You can find me at Booth #158 — as I understand it, that’ll be a booth in the first row, so it’ll be mobbed (hopefully). I don’t yet know specifically when I’ll be there, but I’ll strive to be there as much as I can, taking only sporadic breaks for meals and Jeni’s Ice Cream ;>
A quick update on the book: Shannon has finished the first stage of layout, now we need to tweak things until we’re both happy with it. I’m going to Kinko’s today and picking up a printed version that I’ll be marking up and taking with me. So even if there won’t be a galley proof, there will be one form of the Extreme Double-Knitting manuscript on hand at TNNA. If you’re nice, I might let you peek at it.
I’ve been a little reclusive since I finished the bulk of my work on the book, but now I have some stuff to share. First of all, I have plane tickets and hotel reservations to go to TNNA this summer in Columbus, Ohio — actually, that’s only 2 weeks from now. I’m getting in under the Cooperative Press umbrella, and primarily will be there to push my upcoming book, which is currently in the layout stage. In all likelihood, I will have the book itself when I attend Rhinebeck and Stitches East this October.
In memory of Victor Vasarely?
But in the meantime, I’m not relaxing — I’ve got several more patterns in the works. The two I have on the needles are scarves in the 7-8 sts/in range, and one is pictured here. It’s called “Parallax”, which is a catchy name, if scientifically inaccurate. I’m knitting it in Kauni Effektgarn. I actually have almost double this amount done — it’s a shockingly easy pattern, and I can get quite a lot done in short order.
The other scarf I have on the needles I’m going to keep under wraps (except to those who see me working on it locally) until I have more of it done. It’s a sort of magnum opus — I’ve written the pattern, and it’s 114 pages long. Now I just have to knit it. It’s going relatively quickly despite its complexity, and I hope to have a majority done before the shows in October. Because each row is different, it keeps my interest well; and because there is an element of randomness there is an infinitesimal chance that any two — even made by different people — will ever be the same. I am of course making my exact configuration available in the pattern for those who’d rather just do it exactly as I did. I’d like to find out what the exact statistical likelihood is, so if you’re a statistician, please get in touch :>
When these patterns are made available, I think they’ll be digital only.
Anyway, if you’re going to TNNA, look for the guy with the knitted tie on!
Well, my friend Guido has proved again that he’s a bad influence on me, but I know he has my best interests at heart. First he makes me ditch my antiblog and start an actual blog, now he’s gone and forced me to join Facebook. I’ll be posting updates up there as well as here.
Also, I have another Intro to Double-Knitting (Level 1) workshop running at Mind’s Eye Yarns this spring, on May 7th. Sign up if you want to learn double-knitting and live in the Cambridge area! I’m going to try to set up some other workshops but I’ve been either ridiculously busy or sick all this winter, so it may well be too late. We’ll see.
Oh, and thanks to everyone that came out to see me at the Red Line Yarn Crawl — it was lots of fun.
